最有顏值的美術館

雅博君安 2019-04-02

展開全文

整個基地形狀像長卷般展開，我們重新考慮了建筑與庭院之間的關系。我們種植了199顆松樹錯落的布局，還原且轉換了美術館純粹的建筑主體，修復古建筑和兩側古拱門的安置，實現主人的愛好也破題的將東方美術館的定位展現。

Text description provided by the architects. The whole base shaped like Chinese long scroll, we reconsidered the relationship between archi-tecture and courtyards. We selected and arranged almost 199 pine trees to scatter around, taking the art museum as the main building, restoration of ancient buildings and resettlement of ancient archway at two side, these are present owners preference and positioning the museum as an ori-ental style.

“留白”是中國繪畫藝術中最具意境的表現。幾何形態是西方邏輯思維中最客觀的表現。該建筑，我們去掉了西方的符號，以提供最純粹的白，以幾個不同的幾何建筑體連接、創立了新的回廊，以便在它們之間進行新的對話；室內延伸到地下，給予更多維度的伸展。

'Blank-leaving' is the most artistic expression in the art of Chinese painting. The geometrical form is the most objective expression in Western logical thinking. The architecture of the muse-um, where we removed the symbols of the Western to give the purest whiteness, connected toge-ther with new corridor by several different geometric buildings, in order to have new conversation in between; indoor the vertical circulation, giving more dimensions of stretching.

美術館的意義在于呈現藝術。作為展現的平臺，我們把松美術館被定義成了一個“藝術容器”，以藝術為主，容器為輔，未來它也可以輕松地在任何其他地方被復制，我們在建筑和空間中提供更多的可能性。

The significance of the art museum is to present the art. As a platform for displaying it, our definition of Song Art Museum is an 'art container', with art as its mainstay and container as its complement, and in the future it can also easy be duplicated in any other place with it’s own langu-age, we intent to give the architecture and space more possibility.

松美術館將一切都變成了幾何，凈白，由外而里。憑借其凈白的存在，任何一種當代藝術都百態進入，以毫無顧忌的方式展現活力。松樹圍繞的庭院，賦予了松美術館的外在生命力，一景一物成為內外的呼吸。東方寫意也成為傳統與現代建筑之間互相吸引的自然韻律。

Song Art Museum transforms everything into geometry, purity, like Chinese philosopher Lao Tzu said, 'govern without intervention' from the outside to inner. With its clean existence, any kind of contemporary art is welcome to enter, to vitality showing without scruples. The courtyard surrounded by the pine trees, to give the external vitality of Song Art Museum, the scenery becomes the breath of both inside and outside. The oriental sense also becomes the na-tural rhythm of mutual attraction between traditional and modern architecture.