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Culture 菌整理編輯，版權為藝術家本人所有 未經允許禁止轉載復制 Trajectory through the Sun Exhalation #2, Mixed Media on Paper 22 × 30 in | 55.9 × 76.2 cm 2000 麗塔·阿爾伯克基 Lita Albuquerque Untitled (LA2019.51), Pigment on Panel, Pigment on Resin 24×24 in | 61×61cm 2019 Untitled, Gold Leaf on Resin, Pigment on Panel 16 × 16 in | 40.6 × 40.6 cm 2023 Untitled (LA2023.08), Gold Leaf on Resin, Pigment on Panel 24 × 24 in | 61 × 61cm 2023 Untitled (LA2023.09), Gold Leaf on Resin, Pigment on Panel 60×60 in | 152.4×152.4 cm 2023 Untitled (LA2022.13), Gold Leaf on Resin, Pigment on Panel 60 × 60 in | 152.4 × 152.4 cm 2022 Untitled (LA2023.07), White Gold Leaf on Resin, Pigment on Panel 24 × 24 in | 61 × 61 cm 2023 Wave of the Breath, Mixed media 120 ×120 in | 304.8 ×304.8 cm 1989 麗塔·阿爾伯克基 Lita Albuquerque
美國，1946年生 American, b. 1946 Light and Space artist Lita Albuquerque has been investigating our place in the universe through installations, environmental works, paintings, and sculpture throughout her critically acclaimed career. She emerged in the 1970s, a student of Robert Irwin’s. In her early works, she marked the California desert with colored pigment, mapping both the earthly and celestial terrain, a practice she has since brought to sites worldwide. Among her best-known projects is Sol Star (1996), for which she marked the desert south of the Great Pyramids of Giza with blue circles, each one associated with a star. Albuquerque’s work is centered upon scale, and our smallness in an infinite cosmos. “I was interested in that impossibility of vision,” she explains, “being able to perceive only what is around us, yet aware that […] what we are perceiving is only part of a much larger vision.” 作為"光與空間"藝術運動的代表人物，麗塔·阿爾伯克基在其廣受贊譽的藝術生涯中，始終通過裝置、地景藝術、繪畫與雕塑探究人類在宇宙中的位置。她于1970年代嶄露頭角，師從羅伯特·歐文。早期作品中，她以彩色顏料標記加州沙漠，繪制地球與星空的對應圖譜，這一創作方法后來被拓展至全球多地。其最著名的《太陽之星》（1996）項目，用藍色圓環標記吉薩大金字塔南部的沙漠，每個圓環對應一顆星辰。阿爾伯克基的作品始終圍繞尺度概念展開，揭示無限宇宙中人類的渺小。"我著迷于視覺的局限性，"她解釋道，"我們只能感知周遭事物，卻清醒意識到[...]所見不過是宏大圖景的碎片。" 排版：Culture菌
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